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Dramaturgy Database

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This Dramaturgy Database reflects our ongoing research of dramaturgy at Utrecht University. The database consists of (full text) interviews with Dutch and Flemish dramaturges, essays and reports on dramaturgy seminars and other documents that show how (Dutch) dramaturgy has developed in the past decennia.

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A dramaturg at work (in orange boots).

Courtesy to dramaturgs Anna Wagner and Nele Beinborn (Kunstlerhaus Mousonturm), photo Gabriel Poblete

This picture perfectly captures the work of a dramaturg, which is strongly characterized by flexibility. As Bojana Kunst notes, ‘as a participant in the process, the dramaturg can occupy a variety of roles: those of practical dramaturg, producer, festival director, stage manager, writer, journalist, teacher, workshop leader, coach, lecturer, academic, artist, dancer, production network member, cultural politics advisor, mentor, friend, compass, memory, fellow traveller, mediator, psychologist. The complexity of the dramaturg’s profession – the affective ability to move between theoretical reflection and practical knowledge, to be an external eye and an involved participant at the same time – is often too hastily reduced to a sort of aesthetic elusiveness.’

Bojana Kunst, ‘The Economy of Proximity: Dramaturgical Work in Contemporary Dance.’ Performance Research 14.3 (September 2009): 81-88.

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Dramaturgy on Shifting Grounds

The current development of theatre and performance takes place in changing cultural landscapes, defined by new media technologies and new perceptional habits. Hybrids of theatre, dance, performance, installation, exhibition, film and media art are gaining importance, often based on new production methods and institutions. Transdisciplinary theatre projects attract new audiences by deviating from the familiar interpretation of dramatic texts on stage. Thus contemporary dramaturgy is facing a challenge, therefore new dramaturgical forms and skills are needed.

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